Seminar A space for art; Designing for Exhibitions - Ayşegül Çinici Yazıcı

Each exhibition has a spatial setup and a storytelling in this sense. This story is essentially based on the message that the curator wants to convey to his audience. The other rperson who should absorb the content of this message as much as the curator of the exhibition is, the designer who will create for the visual identity of the exhibition.

Seminar Sources of curating: grand exhibitions and evolution

Curatorship has been rapidly evolving since the 2000s and the origin of the word possesses two meanings: a custodian and the act of curing. The understanding saying that curatorship has replaced the artist lately is a phenomenon debated extensively. But is the curator also an agent of cure?

Seminar Galleries and Exhibitions in the Istanbul Art Scene

The presentation will offer not only a chronological but also a critical study of the substantial changes.

Conversation Book That Spark Thinking on Production: “Five Cities” - Ahmet Hamdi Tanpınar

16 June 2026 - In this gathering, together with Burçak Bingöl, we turn our focus particularly to Istanbul, taking Tanpınar’s Five Cities as our point of departure.

Seminar Curatorial Design Strategies

15 June 2026 - How do we design exhibitions not as neutral displays, but as active spaces constructing narratives? In this workshop at the intersection of architectural design and museology, we explore spatial and curatorial strategies.

Seminar Organizing a Biennial: The 7th Mardin Biennial Example

8 June 2026 - What distinguishes biennials from large exhibitions or festivals? Through which processes do they emerge? We will answer these questions by examining this year's 7th Mardin Biennial in comparison with established examples.

Seminar Art Collecting in Türkiye with Its Historicity and Problematics

2 June 2026 - Examining the cultural evolution of collecting from the 15th-century Ottoman Empire to the present, the seminar analyzes the ecosystem—spanning from the palace to the Republic, auction practices to digital transformation, and contemporary issues.

Seminar Creating and “Reading” Movement in Sculpture

1 June 2026 - How is movement constructed in art? In this visual journey from optical illusions to Futurism, and Rodin to Theo Jansen, we will analyze the perception of movement and secrets of form in sculpture.

Learning Program Material: Plastic

5 May 2026 - The learning program, which will examine the relationship and contradictions between contemporary art and ecology through the production practices of different artists each month, aims to introduce young artists to contemporary works and diverse perspectives through the concept of "material."

Seminar Stylessness and Dissolution of the Monograph

22 April 2026 - In this talk, the artist will examine the phenomenon of stylistic formation that became dominant with modernism. Drawing on examples from both his own work and from contemporary artists who produce without manners, the talk will focus on the anxiety produced by change and the dissolution of style.

Seminar Dead Can Dance: Afterlife of Art

13 April 2026 - This presentation reflects on fifteen years of Protocinema exhibitions, alongside a proposal in-progress titled Dead Can Dance: Afterlife of Art which considers the everyday practice of mutual exchange and sustaining one another, and the ways that the living and the dead coexist.

Seminar Contemporary Art and Curatorship with a Focus on Intellectual Property and Art Law

6 April 2026 - An overview of art and intellectual property law, covering artists’ rights, curatorial practices, exhibition contracts, and emerging issues in digital art and AI.